Focusrite

SHOWING 1–15 OF 19 RESULTS

  • Focusrite Clarett 8 Pre 18×12 Thunderbolt

    Designed for recording studios, the Focusrite Clarett 8Pre T
    Quick Overview

    Designed for recording studios, the Focusrite Clarett 8Pre Thunderbolt Audio Interface combines 24-bit 192 kHz A/D/A conversion, 119 dB real-world dynamic range, 1 ms roundtrip Thunderbolt latency, and eight microphone preamps that can model the sound of the company’s ISA transformer-based preamps using the “Air” effect. The high resolution recording and ultra low latency allows you to enable 64-bit AAX, AU, and VST compatible DA plug-ins while monitoring recordings. The interface comes with 64-bit AAX, AU, and VST compatible Red 2 and Red 3 plug-in suite.

    Housed in a 1RU chassis, the interface features two front mic/instrument/line and six rear mounted mic/line combination TRS/XLR connectors-each with a separate gain knob, six line level ¼” TRS outputs, two ¼” TRS monitor outputs, a word clock output, 5-pin MIDI I/O, stereo SPDIF I/O, and eight channels of ADAT I/O for expansion.

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  • Focusrite Clarett 8 Pre X 26×28 Thunderbolt

    Designed for recording studios, the Focusrite Clarett 8PreX
    Quick Overview

    Designed for recording studios, the Focusrite Clarett 8PreX Thunderbolt Audio Interface combines 24-bit 192 kHz A/D/A conversion, 119 dB real-world dynamic range, 1 ms roundtrip Thunderbolt latency, and eight microphone preamps that can model the sound of the company’s ISA transformer-based preamps using the “Air” effect. The high resolution recording and ultra low latency allows you to enable 64-bit AAX, AU, and VST compatible DA plug-ins while monitoring recordings. The interface comes with 64-bit AAX, AU, and VST compatible Red 2 and Red 3 plug-in suite.

    Housed in a 2RU chassis, the interface features two front instrument ¼” TRS inputs, eight rear panel microphone XLR-3F inputs, eight ¼” line level inputs, six line level ¼” TRS outputs, two ¼” TRS monitor outputs, word clock I/O, 5-pin MIDI I/O, stereo SPDIF I/O, and sixteen channels of ADAT I/O for expansion.

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  • Focusrite Scarlett 18i20

    USB 2.0 audio interface with 8 Focusrite mic preamps. Fun
    Quick Overview

    The Focusrite 18i20 brings the recording performance of 8 award-winning Focusrite mic preamps and combines them with a high-quality 24-bit/96kHz USB 2.0 interface that’s compatible with Mac, Windows, and iOS platforms, which means legendary recording performance on the iPad (Apple Camera Connection Kit required). Focusrite’s mic preamps are found in the world’s top studios and give the 18i20 an unequalled level of performance, with low noise, minimal distortion and enormous dynamic range. The Scarlett preamps offer exceptional headroom, and two front-panel inputs also offer 10dB pad buttons to handle the highest-level inputs without distortion.

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  • Focusrite VRM Box

    Focusrite’s VRM overcomes the major obstacle for mixing wi
    Quick Overview

    Focusrite’s VRM overcomes the major obstacle for mixing with headphones by giving you multiple perspectives on your mix, as if you were listening through speakers. Indeed, noise levels from mixing through speakers can make it impossible for most to mix at home, especially late at night; with VRM, you can mix any time, anywhere. Using any pair of monitoring headphones, VRM lets you choose your mixing environment from a living room, a bedroom studio, or a professional studio. You then simply choose from a list of industry-standard studio monitors and speakers

    VRM Box delivers audio quality worthy of your headphones. Boasting a dynamic range of 108dB, it provides a sound that’s more precise with lower distortion than other low-cost audio interfaces, and far superior to built-in laptop headphone outputs.

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  • Focusrite Scarlett 6i6

    The Scarlett 6i6 USB 2.0 Audio Interface from Focusrite feat
    Quick Overview

    The Scarlett 6i6 USB 2.0 Audio Interface from Focusrite features 6 inputs and 6 outputs, including 2 front-panel microphone preamps on XLR/TRS combo inputs that can also be used as line level and Hi-Z instrument inputs. The 6i6 is compatible with Mac, PC and iPad – requires an Apple Camera Connection Kit, sold separately.

    The Scarlett 6i6 is capable of resolutions up to 24-bit/96kHz and features a wide range of connectivity. Its 2 front panel microphone inputs can provide up to 60dB of gain and have switchable Phantom power. The rear panel has 2 additional 1/4″ TRS line inputs as well as a stereo S/PDIF input. The 6i6 also provides MIDI input and output jacks.

    The Scarlett 6i6 has 4 line outputs on 1/4″ TRS jacks, a stereo S/PDIF output, and two independent headphone outputs. It is housed in a rugged and compact unibody metal case to withstand constant use.

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  • Focusrite Scarlett Studio

    The Scarlett Studio from Focusrite provides everything neede
    Quick Overview

    The Scarlett Studio from Focusrite provides everything needed, right down to the microphone cable, to start recording music right away – just add a computer. With the included software it is possible to record guitar, vocals, bass or other instruments directly into the computer, complete the recordings with studio effects and create a master mix.

    The audio interface is at the heart of Scarlett Studio, connecting to a Mac or PC via the USB port and providing two-inputs and two-outputs to the included music software. The CM25 low noise condenser microphone is specially designed to deliver clean and smooth audio and is complimented by a high-quality, low-noise microphone cable.

    The studio monitor headphones are designed to be accurate rather than flattering, giving a clear and accurate impression of what has been recorded. Cubase LE 6 music production software is enhanced with Focusrite Scarlett plug-ins, a set of tools that include compression, EQ, gating, and reverb. The Novation Bass Station software synthesizer can be used to add bass or melody, and a sample pack from Loopmasters contains drum loops and sound effects.

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  • Focusrite iTrack Solo

    The Apple-certified Focusrite iTrack Solo Audio Interface fo
    Quick Overview

    The Apple-certified Focusrite iTrack Solo Audio Interface for iPad, PC & Mac is a portable recording solution that’s made for the iPad, Mac computers, and Windows PCs. It natively supports 1st, 2nd, and 3rd Generation iPads, and it supports the 4th Generation iPad, iPad Air, iPad mini, and iPad mini with Retina Display via an optional Apple Lightning to 30-Pin Adapter.

    The iTrack Solo is designed to deliver high-quality sound to your DAW. It features a Focusrite microphone preamplifier, an XLR mic input and a 1/4″ instrument input. It also features dual RCA phono monitor outputs and a Direct Monitor Switch that eliminates any latency during recording. The iTrack Solo supports a digital resolution of up to 24-bit / 96 kHz and it even comes with a host of free music making software including Ableton Live Lite 8 and the Focusrite Scarlett Plug-In Suite.

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  • Focusrite Scarlett 2i4

    Scarlett 2i4 from Focusrite is a two input/four output USB a
    Quick Overview

    Scarlett 2i4 from Focusrite is a two input/four output USB audio interface featuring two Focusrite pre-amps with phantom power and 10 dB pads. USB bus powered and housed in a compact anodized aluminum unibody chassis makes the unit a perfect choice for musicians and digital DJs.

    Compatible with both Mac and Windows based computers, the interface features Neutrik combo inputs that accept microphones, line sources, and instrument levels. Four RCA outputs, and a headphone output provide the digital performer and laptop DJ with convenient connectivity.

    Direct monitoring is available to avoid latency during recording, and signal halos surrounding the gain knobs provide visual feedback of proper input levels. MIDI I/O with activity indicators allows for connecting synthesizer or other MIDI related modules. A comprehensive selection of crossplatform software is included.

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  • Focusrite ISA 8 Channel ADC

    The ISA eight channel 192kHz A-D converter outperforms every
    Quick Overview

    The ISA eight channel 192kHz A-D converter outperforms every other converter yet devised, and was the first audio A-D converter to utilise Burr-Brown Pro Audio Amplifiers and flagship PCM4220 A-D converter chips. With cutting-edge conversion technology seated within Focusrite custom analogue circuitry, the card delivers unparalleled performance; specifications include a dynamic range of 122dB and jitter less than 250 picoseconds. More information about Focusrite’s ISA A-D converters can be found on the right.

    The card can be retrofitted to an ISA428, ISA428 MkII or ISA828 at any time and, thanks to its convenient 25-pin D-Type connector, integrates seamlessly with Pro Tools HD as well as other popular hard disk recorders and mixing desks.

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  • Focusrite OctoPre MK2

    With eight channels of Focusrite preamplification and a buil
    Quick Overview

    With eight channels of Focusrite preamplification and a built-in 24-bit / 96 kHz ADAT output, OctoPre MkII is Focusrite’s powerful input upgrade for your Pro Tools system, or any digital audio workstation. It’s also a great expansion for any analogue or digital console, or hard disk recorder.

    The digital output allows you to make the most of often-neglected ADAT inputs; ideal for expanding the number of mic pre inputs on your interface. Connect OctoPre MkII to your audio interface’s ADAT input to create a high quality, multi-channel recording solution, ideal for tracking drums, as well guitars, keyboards, vocals and more.

    Digital inputs and outputs let you make the most of often-neglected ADAT I/O; ideal for expanding the number of mic pre inputs on your interface or for providing analogue monitoring from any digital ADAT feed.

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  • Focusrite OctoPre MK2 Dynamic

    With eight channels of Focusrite microphone preamplification
    Quick Overview

    With eight channels of Focusrite microphone preamplification, eight VCA-based Red 3-derived compressors and built-in 24-bit / 96kHz digital inputs and outputs, OctoPre MkII Dynamic is Focusrite’s feature-rich expansion upgrade for any digital audio workstation. It’s equally an ideal expansion for any analogue or digital console, or hard disk recorder.

    Digital inputs and outputs let you make the most of often-neglected ADAT I/O; ideal for expanding the number of mic pre inputs on your interface or for providing analogue monitoring from any digital ADAT feed.

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  • Focusrite Red 1 500

    Red 1 500 Series The Focusrite Heritage – in a new form
    Quick Overview

    Red 1 500 Series

    The Focusrite Heritage – in a new format

    Focusrite’s Red Range was a direct development of Rupert Neve’s designs created for Sir George Martin’s AIR studios in 1985. The range rapidly gained legendary status following its release in 1993 and the Red 1 soon became a sought-after mic preamp in the world’s top studios, thanks to its ability to get the best from almost any microphone and its unique, signature Focusrite sound.

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  • Focusrite Saffire PRO 26

    Firewire 18-in/8-out audio interface with four Focusrite mic
    Quick Overview

    Firewire 18-in/8-out audio interface with four Focusrite mic preamps

    Focusrite’s Saffire range of Firewire audio interfaces underlines the fundamental features that distinguish the sound quality of Focusrite interfaces from the rest and make them class leaders: superb analogue/digital conversion quality, thanks to painstaking attention to detail in component choice and circuit design and Focusrite’s award-winning mic preamps, designed specially designed for our computer interface ranges with experience going back 30 years, to deliver clean, transparent sound with minimal noise and distortion.Saffire interfaces are compatible with any DAW on Macintosh or Windows, and with the included Red 2 and Red 3 AAX plugins, make a perfect partner for Pro Tools.

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  • Focusrite Saffire Pro 40

    Focusrite’s Saffire range of Firewire audio interfaces hig
    Quick Overview

    Focusrite’s Saffire range of Firewire audio interfaces highlights the fundamental features that distinguish the sound quality of Focusrite interfaces from other available products in their class: precision analogue/digital conversion quality, a result of careful circuit design, multi-layer board layout and component choices, and Focusrite’s award-winning mic preamps, developed from 30 years of experience in mic pre design and created especially for our interfaces to deliver clean, transparent sound with minimal noise and distortion. Saffire interfaces offer the most effective way to get high-quality audio into and out of your DAW. They’re compatible with any DAW on Macintosh or Windows, and with the included Red 2 and Red 3 AAX plugins, make a perfect partner for Pro Tools.

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  • Focusrite Scarlett 2i2

    The Scarlett 2i2 from Focusrite is a 2 input, 2 output porta
    Quick Overview

    The Scarlett 2i2 from Focusrite is a 2 input, 2 output portable USB recording interface featuring two Focusrite preamps, housed in an anodized aluminum unibody chassis that is solid enough to take on the road. The preamps offer transparent, low-noise and low-distortion performance with sufficient available headroom for using moving coil, condenser or ribbon microphones. Phantom power is switchable.

    The front-panel Neutrik combo connectors can used to connect both line and instrument level signals as well as microphones. This makes it perfect for recording the output of a synthesizer or stage piano, while a flick of a switch caters for the output of an electric or acoustic guitar. Halo signal indicators help with maintaining correct levels. Red indicates a clipping signal, and with reduced gain the lights will momentarily turn amber before returning to green.

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