Mackie 2404VLZ4

Mackie 2404VLZ4

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The Mackie 2404VLZ4 24-Channel 4-Bus FX Mixer with USB from the VLZ4 4-Bus Series features Onyx microphone.

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Description

The Mackie 2404VLZ4 24-Channel 4-Bus FX Mixer with USB from the VLZ4 4-Bus Series features Onyx microphone preamps in a high-headroom / low-noise 4-bus design with a feature set suitable for live sound. The mixer is equipped with dual 32-bit RMFX+ effect processors, each with 24 effects including tap delay. It also includes compression on dedicated channels and subgroups that allow for simple, sweet dynamic control.

Additionally, both of the FX processors feature a tap delay and the delays may easily be synchronized with the song at the tap of a finger. The processed signal may be sent directly to the mains and monitors from the effects section or re-routed to the 2 stereo channels to bring them through the EQ and AUX section, utilizing the 60mm fader to draw them into the mix.

The 24-channel, 4-bus FX mixer has 8 single-knob compressors to stop the dynamic signals from poking out of the mix. There are 4 compressors are located on the last 4 microphone inputs so that critical signals (such as vocals, snare drum, guitar or keyboards) may be addressed. In addition, there are single-knob compressors on each of the 4 subgroups so that grouped signals (such as a drum set or a choir of vocalists) may be blended together for paramount smoothness.

This mixer also features a 4 x 2 USB recording and playback function. This means that up to 4 signals may be recorded simultaneously and a stereo mix returned to the mixer for playback. Its built-like-a-tank construction delivers years of reliable use under strenuous conditions. The VLZ4 4-Bus Series offers a compact FX mixer solution in a design that’s flexible, rugged, and professional.

4-bus mixer featuring high-headroom, low-noise design

Boutique-quality Onyx microphone preamps
Wide 60 dB gain range
128.5 dB dynamic range
+22 dBu line input handling
Extended frequency response
Distortion under 0.0007% (20 Hz to 50 kHz)

Improved RF rejection, suitable for broadcast applications

Dedicated inline channel compression for critical inputs

High-headroom line inputs with dedicated inserts

18 dB/octave 100 Hz low-cut filter on microphone input channels

Level, pan, solo, and overload / mute LEDs on each channel

Four subgroups featuring dedicated inline compressors for total dynamic control

Six AUX sends with inserts, pre / post fader, and internal/external FX send options

Two stereo returns and four group outs with inserts

Dual 32-bit RMFX+ processors featuring 24 gig-ready reverbs, choruses, and tap delay for live applications

Integrated 4x2 24-bit USB interface
Stream subgroups or master L / R to your PC or Mac for recording
Use your favorite plug-in live via AUXES 5 / 6
Convenient stereo return to mains for music playback or return to channel to implement EQ, AUXES, and more

Sealed rotary controls resist dust and grime

Built-like-a-tank rugged steel chassis with powder-coat finish

High-visibility, high-contrast controls deliver convenient at-a-glance visual feedback

Universal power supply for worldwide use

Applications: Live sound mixing, houses of worship, clubs, gymnasiums, banquet halls, conference rooms, boardrooms, multi-track studio and field recording, video post-production, multimedia applications, broadcast, and many more

Noise Main Mix Noise:
Main Mix Fader at Unity, Channel Faders Down: -87 dBu (-91 dB signal to noise ratio, ref +4 dBu)
Main Mix Fader at Unity, Channel Faders at Unity: -81.5 dBu
(20 Hz to 20 kHz bandwidth, 1/4" main out, channel gains at unity, channel EQs flat, all channels assigned to main mix, odd channels panned left, even channels panned right)
Total Harmonic Distortion (THD) Microphone In to Insert Send: <0.001%
Microphone In to Main Out: <0.005%
(1 kHz at 15 dB gain, 20 Hz to 20 kHz bandwidth)
Crosstalk / Attenuation Channel Mute Switch Engaged: -90 dBu
Channel Fader Down: -88 dBu
(1 kHz relative to +10 dBu, 20 Hz to 20 kHz bandwidth, microphone in, 1/4" main out, gain at unity)
Frequency Response Microphone input to main output (gain at unity)
+0, -1 dB, 20 Hz to 50 kHz
+0, -3 dB, <10 Hz to >100 kHz
Equivalent Input Noise 150 Ω Termination: -128.5 dBu, 20 Hz to 20 kHz
Microphone input to insert send out, maximum gain
Common Mode Rejection Ratio Better than -70 dB at 1 kHz
Maximum Level Microphone In: +21 dBu
All Other Inputs: +21 dBu
Main Mix XLR Out: +27 dBu
All Other Outputs: +21 dBu
Impedance Microphone In: 2.7 kΩ
Channel Insert Return: 2.5 kΩ
All Other Inputs: 10 kΩ or greater
Tape Out: <10 Ω
All Other Outputs: 120 Ω
Equalizer 3-Band EQ (Mono Channels):
High Shelving: ±15 dB at 12 kHz
Mid Peaking: ±15 dB sweep 100 Hz to 8 kHz
Low Shelving: ±15 dB at 80 Hz
Low Cut Filter: 18 dB/octave, -3 dB at 100 Hz

4-Band EQ (Stereo Channels):
High Shelving: ±15 dB at 12 kHz
Hi Mid Peaking: ±15 dB at 2.5 kHz
Low Mid Peaking: ±15 dB at 400 Hz
Low Shelving: ±15 dB at 80 Hz

USB Format: USB 1.1
I / O: Stereo Input, 4-Channel Output
A / D / A: 24 bit, 44.1 kHz / 48 kHz
Power Consumption 55 W, 100 to 120 VAC, 50 to 60 Hz
Operating Temperature 32 to 104°F (0 to 40°C)
Dimensions Height:
Front: 1.8" (46.3 mm)
Rear: 6" (153 mm)

W x D: 29.4 x19.1" (748.0 x 486.0 mm)

Weight 31.0 lb (14.1 kg)

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