,

Korg Nautilus Music Workstation 61 keys

Brands: Korg
Brands
  • Nine different sound engines offer massive expressive power
  • New sounds offered over three broad categories
  • The DYNAMICS knob makes delicate expression possible
  • Make intuitive changes to sounds with the Realtime knobs

$2,750.00

The most dazzling and expansive collection of sounds ever put into a Korg synthesizer

NAUTILUS pushes the boundaries of what a performance synth and workstation is capable of. With the power of nine engines to drive a new approach to sounds, plentiful sampling, audio recording, effects, and processing power, there is simply no other synth that delivers more to explore sonically, with the workflow to get you there faster than ever. Korg spent years refining all our digital, analog, processing, and hardware technologies and delivering them in a way that helps the musician connect with their instrument. The result is the incredibly powerful, one-of-a-kind NAUTILUS.

Nine different sound engines offer massive expressive power

The NAUTILUS features nine dedicated sound engines to realistically reproduce sounds such as pianos, electric pianos, organs and more. 

New sounds offered over three broad categories

The approach to the included sound on NAUTILUS, started with Korg setting aside our preconceptions of what sound should be like on a conventional music workstation, and instead focused on pushing the boundaries of sampling and programming to create a brand-new classifications of programs that we divide into three groups: 

“Unique” sounds: 

The NAUTILUS brings you distinctive sounds including phrase loops, prepared pianos, found percussion and more. Many seldom heard-of musical instruments found in different regions around the world can be difficult to play, but distinctive phrases played on these instruments are featured on the NAUTILUS. Use these phrases as-is in your songs—let your imagination be your guide. The NAUTILUS features sounds that were sampled for the first time just for this instrument, including prepared piano sounds created by placing different objects between piano strings and recording samples, or “found percussion” sounds made by turning ordinary items into instruments to be struck. Not only do these novel and mysterious sounds provide an unexpected flavor to your songs, they offer broad possibilities for sound effects used in film and TV music as well. 

“Current” sounds: 

The NAUTILUS also offers the freshest sounds that blend in well with today’s music scene, including synths, drum kits, special effects and more. For synths, be sure to check out the EDM, electro and chiptune sounds for starters. Also, the NAUTILUS features more than 50 kinds of drum kits—sounds that most strongly reflect the changes in music over time. The special effect sounds offer useful material like drums added to dance music to create beats—sounds that you can put to use right away. 

Standard sounds: 

We’ve brought together all of the most important sounds a workstation needs including piano, electric piano, guitar, bass guitar and more, covering all genres. For the newly sampled piano sound, we’ve also recorded the lovely sonic ambience of the studio, and you can mix the piano and ambience sound as you like with the new ambience sound. A new electric piano model with a characteristic thick sound has been added, which works great for funky playing styles. We’ve also added many phrases that let you play back actual performances of guitar and bass parts that keyboardists will find useful.

The DYNAMICS knob makes delicate expression possible

With the DYNAMICS knob, you can instantly control the changes in volume and tone in response to how hard you play the keyboard (velocity); and you can customize this knob in real time to match the keyboard playing feel required for each style and song. Even when playing the same sound, you can turn this knob to get the feeling of playing a completely different sound. By finding just the right setting for your playing style, you’ll uncover even more of the possibilities that the NAUTILUS offers. 

When you activate the DYNAMICS knob and turn it to the left, the keyboard responds more softly to your playing, giving you a wide range of dynamics. This allows for delicate, expressive playing when accompanying a piano solo or vocals, which directly reflects the dynamics of your performance. On the other hand, turning the knob to the right gives a stronger, more flat dynamic response. This brings out the sound when you’re playing in a band or ensemble, which works best when performing with a more even feel.

Make intuitive changes to sounds with the Realtime knobs

The six RT (real-time) knobs at the top left of the panel give you direct control over changes to the PROG and COMBI sounds. A variety of functions are assigned to each knob that lets you enjoy making changes to sounds, such as the filter cutoff and effect depth, the gate time, tempo and swing of the arpeggiator or drum track, the type of snare drum and more. In COMBI mode, you can group timbres and control their levels with the knobs. Further, you can press these knobs into the panel to lock them in place, preventing them from being accidentally changed while you’re playing. For instance, you could use this to enable only the knobs you often use onstage and push the ones in that you do not need.

A user interface designed for easy operation

For the NAUTILUS, we have completely rethought the user interface, considering that panel controls tend to become denser as more functions are added. The interface of the NAUTILUS lets users find just the things they’re looking for once they understand the principles. 

The MODE button lets you see what you’ve selected in each mode on a single screen, from PROG and COMBI to the set list, sampling, sequence and global modes. Each mode has tabs for each function, and the PAGE buttons offer more detailed editing with consistent operations. With the user-friendly navigation of the NAUTILUS, you can press the MODE button at any time to return to the start if you get lost. A dark mode is available for the display, using black as the primary color to reduce eye fatigue. 

Six quick access buttons are also available as shortcut buttons. The NAUTILUS further offers four templates as a continuation of the previous user-friendly features, which can be used to select modes like PROG and COMBI, as transport buttons for sequencer playback and recording and so on. You can also select your own settings as you like. What’s more, you can freely assign functions you frequently use and save them in one of four sets.

Convenient arpeggiator and drum track functions

Four scenes of arpeggio patterns and drum track sets are made available that perfectly match each PROG and COMBI preset sound. These are useful for switching between scenes while they’re played, for use when improvising during performance, or for expanding your vision when composing music starting from a sound.

Color TouchView Display

The nerve center of the NAUTILUS is KORG’s enormous eight-inch (800 x 480 pixel) WVGA color TouchView display. 

In addition to simply selecting a sound or choosing a parameter with the touch of a finger, the enhanced Touch-Drag ability allows more detailed control of parameter values. Interactive instruments and panel graphics provide the ability to do everything from adjusting the lid of a grand piano to connecting patch cable on a semi-modular synthesizer model. 

The TouchView display also hosts a convenient new Search Function, allowing you to search for (and preview) sounds based on their titles.

Set list mode that demonstrates its power in live performances

NAUTILUS can organize all of the resources you need to get through a song—or a set—using the Set List mode. Using the Set List mode, the TouchView display can host 16 color-coded touch-screen buttons; each one can instantly call up the appropriate Preset, Combination, or Sequence—regardless of mode! 

You can also select different button colors, such as when you want to change the colors within a song while playing live. This is a powerful feature for situations that require quick and accurate control. The Set List mode even adds a nine-band graphic EQ, allowing the overall tone to be tweaked to match the venue.

Open Sampling System

Using KORG’s Open Sampling System, NAUTILUS can quickly sample an external audio source, regardless of whether NAUTILUS is in the Program, Combination, or Sequencer modes. The Open Sampling Mode can even resample the performance of the NAUTILUS itself. The user sample bank, which extends the convenience of the EXs sample library to user samples, allows custom samples to be loaded and played, taking advantage of the gigantic SSD capacity. 

AIFF, WAV, SoundFont 2.0, and AKAI S1000/3000 format samples can be loaded into memory via USB memory. Additionally, you can use a USB Ethernet adapter to exchange large amounts of sample data with your computer at high speed. Instruments or samples that you’ve previously created on your PC can be used to construct a music production setup based on just the NAUTILUS itself.

16-Track MIDI Sequencer / 16-Track Audio Recorder

NAUTILUS features a sequencer/recording section that offers both 16 MIDI tracks plus 16 audio tracks; a great resource for putting together a dazzling performance or a brilliant production. MIDI sequencing makes it easy to capture ideas, inspiration, and pro-quality phrases using the Drum Track, or RPPR (Realtime Pattern Play/Recording) functions. 

The 16-track audio recorder simultaneously captures up to four tracks of 16-bit/24-bit uncompressed data at a sampling rate of 48 kHz. Play along with recorded tracks, add effects, and then resample the NAUTILUS itself and place the resampled WAV files directly in a track. When polishing your tracks, feel free to use mixer automation and editing functions such as copy, paste, and normalize to get the results you want.

FEATURES

  • Nine different sound engines offer massive expressive power
  • New sounds offered over three broad categories
  • The DYNAMICS knob makes delicate expression possible
  • Make intuitive changes to sounds with the Realtime knobs
  • A user interface designed for easy operation
  • Convenient arpeggiator and drum track functions
  • Color TouchView Display
  • Set list mode that demonstrates its power in live performances
  • Open Sampling System
  • 16-Track MIDI Sequencer / 16-Track Audio Recorder
  • 16 Onboard Effect Processors
  • USB/MIDI Host Ports Accommodate MIDI Control Surfaces
  • Smooth sound transitions that eliminate dropouts when changing sounds, regardless of the mode you’re in
  • 88-key model with piano touch, 73-key model with light touch and 61-key model available
Categories: , Tags: , , ,
Brands

Korg
Product Type

Keyboard & MIDI, Synthesizers
Number of Keys

61 Keys
Color

Black

System, Keyboard

System

NAUTILUS System Version 1.0

Keyboard

88 key: RH3 (Real Weighted Hammer Action 3), A – C 

73 key: Natural Touch Semi Weighted, C – C 

61 key: Natural Touch Semi Weighted, C – C 

Velocity sensitive is supported, after touch is not supported.

Tone Generator

Synthesis Types

9 

SGX-2: Premium Piano (Acoustic Piano) 

EP-1: MDS Electric Piano (Electric Piano) 

HD-1: High Definition Synthesizer (PCM) 

AL-1: Analog Synthesizer (Analog Modeling) 

CX-3: Tonewheel Organ (Tonewheel Organ Modeling) 

STR-1: Plucked String (Physical Modeling) 

MOD-7: Waveshaping VPM Synthesizer (VPM Synthesis) 

MS-20EX: Component Modeling Technology (Analog Modeling) 

PolysixEX: Component Modeling Technology (CMT Analog Modeling)

Maximum Polyphony*1*2

SGX-2: 100 voices*3 

EP-1: 104 voices 

HD-1: 140 voices 

AL-1: 80 voices 

CX-3: 200 voices 

STR-1: 40 voices 

MOD-7: 52 voices 

MS-20EX: 40 voices 

PolysixEX: 180 voices 

1: In rare cases, when a large number of processor-intensive effects are active simultaneously (for instance, more than 14 O-Verbs), polyphony may be slightly reduced. 

*2: A portion of the multicore processor in NAUTILUS is devoted to generating voices, and a separate portion is devoted to generating effects. NAUTILUS dynamically allocates the voice processing power between the engines as necessary. The quoted maximum numbers of voices apply when 100% of the voice processing power is devoted to a single engine. 

*3: 100 dual-stereo notes (equivalent to 400 mono voices)

Preset PCM

RAM 496 MB / DISK 2.3G (ROM 1,771 Multisamples, 3,955 Drumsamples)

Build-in Expansion PCM Libraries

EXs301: German2 D Piano 

EXs302: Italian F Piano 

EXs303: Japanese Upright U Piano 

EXs304: Prepared Piano 

EXs305: Historical Keyboards 

EXs306: Vintage Keyboards 2 

EXs307: Strings & Synths 

EXs308: Guitar Collection 

EXs309: Bass Collection 

EXs310: World Essence 

EXs311: Background Loops 

EXs312: SFX & Hits 

EXs313: Found Percussions 

EXs314: Expansion Drums

PCM RAM Capacity

Approx. 2GB *4 

*4: The memory available for Sampling Mode will change based on the use of Expansion PCM libraries and User Sample Banks. Approx. 760 MB is available when shipped from the factory (When loading the file named “PRELOAD.KSC”).

Wave Sequences

598 User memory, 377 Preload 

Support for stereo multisamples, synchronization of individual notes, and tempo-based settings.

SGX-2 Program

Premium Piano

Full key stereo sampling, Chromatically sampled at up to 12 velocity levels, no looping. 

Damper resonance and mechanical noise are reproduced. 

Una Corda sample support

PCM

EXs301 – German2 D Piano 

12 velocity levels, includes Ambience Piano type/samples 

EXs302 – Italian F Piano 

12 velocity levels, no Una Corda samples 

EXs303 – Japanese Upright U Piano 

8 velocity levels 

Exs304 – Prepared Piano 

1-4 velocity levels

Piano Type

128 

(With the factory settings, the 64 varieties of EXs6: German D Piano, EXs7: Japanese C Piano, EXs12: SGX-1 Austrian D Piano, EXs17: Berlin D Piano do not produce sound. The options must be downloaded. (Those will be released at a later date.))

Oscillator Control

Damper Resonance 

Damper Noise 

Mechanical Noise 

Note Release 

String Resonance 

Una Corda

EP-1 Program

MDS Electric Piano

Tine and reed-type electric pianos powered by Multi-Dimensional Synthesis (MDS), and vintage effects.

Electric Piano Model Types

7 

Tine EP I Early, Tine EP I Late, Tine EP II, Tine EP V, Tine EP DMP, Reed EP200, Reed EP200A

Oscillator Control

Harmonic Sound Level, Attack Noise, Level, Release Noise Level, Attack Brightness, Hammer Width

Panel Control

Tine Type

Preamp Volume, Tone (Treble, Bass), Vibrate (On/Off, Intensity, Speed), Amp/Cabinet (On/Off, Drive)

Reed Type

Preamp Volume, Tone (Treble, Bass), Vibrate (Intensity, Speed), Amp/Cabinet (On/Off, Drive)

Effect Types

9 

Small Phase, Orange Phase, Black Phase, Vintage Chorus, Black Chorus, EP Chorus, Vintage Flanger, Red Comp, VOX Wah

HD-1 Program

Advanced Vector Synthesis

Control oscillator volumes and synthesis & effects parameters via the Vector Joystick and the tempo-synchronized Vector Envelope.

Structure

Single: only OSC1, Double: OSC1 and OSC2. 

Double mode lets you layer two completely separate synth voices, each with their own velocity-switched oscillator, dual filter, EGs, LFOs, etc. 

Drums: One drum kit, Double Drums: Two drum kits.

Oscillators

8 velocity zones per oscillator, with switching, crossfades and layering 

Each zone can play mono or stereo Multisamples or Wave Sequences

Filters

Two multi-mode filters per voices (low-pass, high-pass, band-pass and band-reject), Four-mode filter routings (single, serial, parallel and 24dB mode)

Driver

Per voice non-linear driver and low boost circuit

EQ

Three bands, with sweep-able mid

Modulation

Three envelope generators, two LFOs per voice, common LFO, four key tracking generators, AMS (Alternate Modulation Source), two AMS mixers

Quick Layer / Split function

EXi Program Common

Advanced Vector Synthesis

Control oscillator volumes and synthesis & effects parameters via the Vector Joystick and the tempo-synchronized Vector Envelope

Modulation

Common Step Sequencer, AMS (Alternate Modulation Source), Common LFO, 2 Key Tracking Generators

EQ

Three bands, with sweep-able mid

Quick Layer / Split function

AL-1 Program

Oscillators

Ultra-low-aliasing oscillators, OSC1, OSC2, Sub-oscillator and noise generator; ring modulation, FM and Sync

Audio Input

External audio can be processed through the ring modulator, filter, driver, amp, and EQ

Filters

Two multi-mode filters (low-pass, high-pass, band-pass and band-reject) with four types of filter routings (single, serial, parallel and 24dB mode), Multi Filter mode (only Filter-A; modulatable mix of Low Pass, High　Pass, Band Pass, and dry input, for creating a wide variety of unique filter types and effects)

Driver

Per-voice non-linear driver and low boost circuit

Modulation

Five Envelope generators, four per-voice LFOs, two AMS Mixers; Per-voice Step Sequencer

CX-3 Program

Tonewheel Organ Modeling

Phase-synchronous tonewheels (clean and vintage modes), percussion, key click, wheel brake

EX Mode

Four additional, user-specified drawbars, and expanded percussion

Internal Effects

Rotary speaker, vibrato/chorus, amp modeling with overdrive, 3-band EQ

Drawbar Control

Controlled via nine front-panel sliders (via Tone Adjust)

Split

Upper, Lower (even in EX mode)

Modulation

Two AMS mixers

STR-1 Program

Physically Modeled String

Includes physically modeled damping, decay, dispersion, nonlinearity, harmonics, dual pickups, and more. Most string parameters can be controlled in realtime

String Excitation

Three independent excitation sources can be used simultaneously: Pluck, Noise, and PCM. 16 preset “pluck” types, with modulatable width and randomization. Noise generator with saturation and dedicated low pass filter 

PCM Oscillator 

KORG’s ultra-low-aliasing technology, as introduced in the HD-1; 4 velocity zones per oscillator; Uses any mono Multisamples, including ROM, EXs, User Sample Bank, or Sampling Mode. Supports Virtual Memory. 

Excitation Filter 

Dedicated 2-pole multimode filter for shaping the string excitation. Filter can be enabled/disabled separately for each excitation source. Low Pass, High Pass, Band Pass, and Band Reject modes

Audio Input and Feedback

Run real-time audio through the string, including feedback through effects. Modeled feedback includes modulate-able instrument-to-amp distance and orientation

Filters

Dual multi-mode filters per voice; Single, Serial, Parallel (with split stereo output), and 24dB (4-pole) configurations. Low Pass, High Pass, Band Pass, and Band Reject modes 

Multi Filter Mode (Filter A only) 

Modulatable mix of Low Pass, High Pass, Band Pass, and dry input, for creating a wide variety of unique filter types and effects

Modulation

5 Envelopes, 4 per-voice LFOs, 2 Key Track generators, String Tracking generators, 4 AMS Mixers

MOD-7 Program

Waveshaping VPM Synthesizer

Combines Variable Phase Modulation (VPM), Waveshaping ring modulation, PCM sample playback, and subtractive synthesis; Able to convert-load SYX files

Oscillators

6 VPM/Waveshaper/Ring Modulation Oscillators 

Phase and modulatable pitch per oscillator. 101 Waveshaper tables plus modulatable Drive and Offset. Use as oscillators, or as Waveshapers or Ring Modulators for other signals 

PCM Oscillator 

KORG’s ultra-low-aliasing technology, as introduced in the HD-1. 4 velocity zones per oscillator.Uses any mono Multisamples, including ROM, EXs, User Sample Bank, or Sampling Mode. Supports Virtual Memory 

Noise Generator (With saturation and low-pass filter function)

Audio input

Run real-time audio through the VPM Oscillators and filters.

Filters

Dual multi-mode filters per voice. (Low Pass, High Pass, Band Pass, and Band Reject modes) , Two types of filter looping (Parallel and 24 dB “4-Pole”) 

Multi Filter mode (Filter A only) 

Modulatable mix of Low Pass, High Pass, Band Pass, and dry input, for creating a wide variety of unique filter types and effects

Patch Panel

Supports both preset algorithm (78 types) selection and free patching.Three 2-in, 1-out mixers for scaling and merging audio, fully modulatable, with phase inversion. Main 6-input stereo mixer, with modulatable pan and volume, plus phase inversion

Modulation

10 Envelopes, 4 per-voice LFOs, 9 Key Tracking generators, Per-voice Step Sequencer, 4 standard AMS Mixers plus 4 simple AMS Mixers

MS-20EX Program

Oscillators

Ultra-low-aliasing oscillators; VCO1, VCO2, Ring Mod, Pink and White Noise Generator

Audio Input

Run real-time audio through the synthesis engine and ESP (External Signal Processor)

Filters

12dB/octave High Pass and Low Pass self-resonant filters 

ESP section 

24dB/octave Low Cut and High Cut filters, available per voice.

Patch Panel

Patchable audio and modulation, at audio rates

Patch Points

Keyboard 

Keyboard CV Out, Keyboard Trigger Out, VCO1+VCO2 CV In, VCO2 CV In 

VCO 

VCO1+VCO2 External Frequency Control In, VCO1 Out, VCO2 Out 

VCF 

External Signal In, External HP Filter Cutoff Frequency Control In, External LP Filter Cutoff Frequency Control In, HPF Out, LPF In, LPF Out 

VCO+VCF 

Total External Modulation In 

VCA 

External Initial Gain Control In, VCA In 

EG 

EG1 Envelope Signal Normal Out, EG1 Envelope Signal Reverse Out, EG1+EG2 Trigger In, EG1 Trigger In, EG2 Envelope Signal Reverse Out 

MG 

Triangle Out, Rectangle Out 

Noise Generator 

Pink Noise Out, White Noise Out 

Sample and Hold 

Clock Trigger In, Sample Signal In, S/H Out 

Modulation VCA 

Control Voltage In, Signal In, Signal Out 

Manual Controller 

Control Wheel Out, Momentary Switch 

ESP 

Signal In, AMP Out, BPF In, BPF Out, F-V CV Out, Envelope Out, Trigger Out 

Others 

EXi Audio In, Mixer 1 In, Mixer 1 Out, Mixer 2 In, Mixer 2 Out

ESP (External Signal Processor):

Use incoming audio as a trigger and/or CV source

Modulation

Original DAR (Delay, Attack, Release) and HADSR (Hold, Attack, Decay, Sustain, Release) EGs 1 &2, Original MG (with MIDI sync), Sample-and- Hold, MVCA, NAUTILUS: 4 additional multi-stage Envelopes, 4 additional per-voice LFOs, and 4 AMS Mixers.

PolysixEX Program

Oscillators

VCO 

Saw, Pulse, PWM 

Sub Oscillator: 

Off, 1 octave below, 2 octaves below

Filter

24dB(4-Pole) Octave Low Pass self-resonant filter

Effects

Integrated Polysix Chorus, Phaser, and Ensemble

Arpeggiator

Integrated MIDI-synced arpeggiator, with adjustable Range, Mode, and Latch

Modulation

Polysix 

Original ADSR EG and MG (with MIDI sync). 

NAUTILUS 

2 additional multi-stage Envelopes, 2 additional per-voice LFOs, and 4 AMS Mixers.

Combination

Number of Timbres, Master Keyboard Functionality

16 Maximum 

Keyboard and velocity splits, layers, and crossfades of up to 16 Programs and/or external MIDI Devices 

The tone adjust parameter function lets you modify program settings, and the master keyboard function lets you control external MIDI devices

Advanced Vector Synthesis

Control oscillator volumes and synthesis & effects parameters via the Vector Joystick and the tempo-synchronized Vector Envelope

Quick Layer / Split function

Drumkit

Assignable stereo/mono samples with 8 velocity zones per oscillator (with crossfade functions)

Number of Programs/Combinations/Drum kits

User Memory Programs

2,560 (1,920 [1,280 HD-1+640 EXi] come preloaded)

User Memory Combinations

1,792 (256 come preloaded)

User Memory Drum Kits

264 (104 come preloaded)

256 GM Level2 preset programs + 9 GM Level 2 drum preset programs

Set List

Number of Set Lists/Slots

128 set lists, 128 slots per set list 

Each set list provides a 9-band graphic EQ, and a Tone Adjust function that allows program settings to be adjusted 

Transpose setting 

Hold Time setting of Smooth Sound Transition (SST) supported for each slot

Sampling

System

Open Sampling System (resampling, In-Track sampling)

Bit Depth/Sampling Frequency

RAM 

16-bit/48 kHz stereo/mono sampling 

DISK 

16 or 24-bit/48 kHz

Sampling Time

RAM 

Depends on the amount of available PCM RAM 

DISK 

Maximum 80 minutes stereo (879MB: 16bit)

Sample Locations

16,000 samples/4,000 multisamples (128 indexes per multisample)

Formats

KORG format, AKAI S1000/S3000 data (with advanced Program parameter conversion); SoundFont 2.0, AIFF, and WAVE formats

Editing

Time Stretch, Time Slice, Crossfade Loop, and other standard editing features.

Effects

Insert Effects

12

Stereo in / stereo out

Master Effects

2

Stereo in / stereo out

Total Effects

2

Stereo in / stereo out

Timbre EQ

One 3-band EQ for each timbre/track

Effect Types

197

Modulation

Dynamic Modulation and Common LFO

Effects Control Busses

Stereo side-chaining for compressors, gates, vocoders, etc

Effect Presets

Total 783 preset, Maximum 32 per 1 effect (Preset User)

Arpeggiator

Arpeggiator Modules

One module in Program mode, two modules in Combination and Sequencer modes

Arpeggio Pattern

5 presets + ARP A 2,048 slots (1,593 come Preload) + ARP B 128 slots

Controllers

On/Off, Latch, Gate, Velocity, Length, Swing, Tempo

Drum Track

Preset Patterns

1,272 (common with the preset patterns of the MIDI sequencer)

User Patterns

1,000 

Patterns created in Sequencer mode can be converted to drum track user patterns.

Trigger Mode/ Sync / Zone / Swing, Drum SD, Tempo settings can be specified.

Sequencer / HDR

Tracks

16-track MIDI sequencer + 16-track hard disk recorder + 1 master track.

Number of Songs

200

Resolution

1/480

テTempo

40.00 – 300.00 (1/100 BPM resolution)

Maximum Memory

400,000 MIDI events or 300,000 audio events

MIDI Tracks

16 tracks plus the master track, 697 preset / 100 user patterns (per song), 18 preset/16 user template songs,

Audio Tracks

16-track playback, 4-track simultaneous recording, WAV file format 16bit/24bit 

Maximum Single-file Recording Time (mono): 80 minutes 

Automation: Volume, Pan, EQ, and Send1/2 

10,000 regions (max.) 

Event Anchors, BPM Adjust

Other Functions

RPPR (Realtime Pattern Play and Record): 1 Pattern set per song 

 

General

Disk Mode

Load, save, utility, data filer function (save/load MIDI System Exclusive data), CD-R/RW (UDF format read/write), ISO9660 Level 1.

Controllers

Joystick, Switches 1 & 2 

Arpeggiator Control: On/Off, Latch, Gate, Velocity, Length, Swing, Tempo 

DRUM TRACK: On/Off, Swing, Drum SD, Tempo

Display

TouchView graphical user interface, 7 inch color TFT, WVGA (800 x 480 dots), adjustable brightness

Principal Specifications

Frequency Response 

20Hz-22kHz, +/-1.0dB, 10k Ω load 

THD+N 

20Hz-22kHz, 0.01%, 10k Ω load (typical) 

S/N 

95dB (typical) 

Dynamic Range 

95dB (typical) 

Crosstalk 

95dB, at 1kHz (typical)

Outputs

L/MONO, R, Individual 1-4 

1/4” TRS Balanced 

Output Impedance: 350 Ω Stereo; 175 Ω Mono (L/MONO Only), 

Nominal Level: +4.0 dBu, 

Maximum Level: +16.0 dBu (when load impedance is 600 Ω or greater) 

MAIN VOLUME slider controls only AUDIO OUTPUT (MAIN) L/MONO and R 

Headphones 

1/4” stereo phone jack 

Output impedance: 33 Ω, 

Maximum Level: 60+60 mW (when load impedance is 33 Ω), 

MAIN VOLUME knob (link with AUDIO OUTPUT (MAIN)) 

USB-B 

24-bit, Sample Rate: 48 kHz, 2 channels 

(Digital output of the same signals as AUDIO OUTPUT (MAIN) L/MONO and R)

Inputs

Audio Inputs 1 and 2 

1/4” TRS Balanced 

Input Impedance: 10 kΩ 

Nominal Level: LINE +4 dBu 

Maximum Level: LINE +16 dBu 

Nominal Level: MIC –22 dBu 

Maximum Level: MIC -10 dBu 

Source Impedance: 600 Ω 

USB-B 

24-bit, Sample Rate: 48 kHz, 2 channels

Control Inputs

Damper pedal (half damper supported)

Assignable switch, Assignable pedal

MIDI

In, Out, Thru

USB

USB A (TYPE A) 

For connection to external USB devices (QWERTY keyboards, MIDI controllers, ethernet adaptors, and storage) 

USB B (TYPE B) 

MIDI/audio interface, MIDI: 1 (16 channel) input / 1 (16 channel) output, Audio: 2 channel input / 2 channel output 

*2 USB high-speed ports (supports 480Mbps)

Disk Drives

60 GB SSD (2.5”)

Power Supply

AC power supply terminal, Power switch

Dimensions: (W x D x H)

88 key: 1,437 x 387 x 139 mm / 56.57” x 15.24” x 5.47” 

73 key: 1,227 x 386 x 116 mm / 48.31” x 15.20” x 4.57” 

61 key: 1,062 x 386 x 116 mm / 41.81” x 15.20” x 4.57”

Weight

88 key: 23.1 kg / 50.93 lbs. 

73 key: 14.6 kg / 32.19 lbs. 

61 key: 13.0 kg / 28.66 lbs.

Power Consumption

40 W

Accessories

AC cord, Quick Start Guide

Option

XVP-20: Expression/Volume Pedal 

EXP-2: Foot Controller 

DS-1H: Damper Pedal 

PS-1: Pedal Switch 

PS-3: Pedal Switch

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