, ,

Mackie ProFX22v2


Brands: Mackie
Brands
  • 22 high-headroom line level inputs for your mix
  • 16 low-noise Mackie Vita mic preamps add life to any input
  • ReadyFX effects engine with 16 effects including reverbs, delays, and choruses
  • 7-band graphic EQ for tuning mains or monitors

$1,280.00

The ProFX22v2 22-channel mixing console from Mackie features a built-in effects engine, and is ideal for a plethora of live sound reinforcement applications ranging from live bands and DJs to lecturers and presenters. With 16 XLR mic inputs with low-noise Vita microphone preamps, per channel 3-band EQ, 2 aux sends, and an FX out for feeding external processors, the ProFX22v2 offers professional features to suit a wide variety of configurations.

In addition to the mic inputs, the ProFX22v2 includes 22 line inputs for connecting keyboards, samplers, and other gear. There is also an RCA tape input and output for connecting portable music players similar devices. In addition, the mixer has rugged 60mm faders for all input channels, return and main/monitor masters.

The ProFX22v2’s effects engine offers 16 different effects, including reverbs, delays, and choruses. It also features a 7-band graphic EQ that can be used for tuning mains or monitors, and a built-in USB interface that can be used to record the show or provide music playback via Mac or Windows computer.

r output, switchable for tuning mains or monitors, and an aux output is perfect for driving a monitor mix. There is a 3-band EQ (80 Hz, 2.5 kHz and 12 kHz) on all three input channels. The input scheme features six XLR inputs with TRS option, as well as dual 1/4 in. stereo input channels. A built-in USB interface allows recorded music to be played between sets, and you can even use it to bus your mix to a recording device. Insert, 100 Hz low-cut filter and 48V phantom power on all mic channels. 60mm faders.

You can directly connect guitar, bass and other instruments via Hi-Z input or connect a microphone and take advantage of the Vita preamp. It features a 100 Hz low-cut filter and 48V phantom power on all mic channels, along with a stereo RCA tape I/O with input level control. A headphone output with separate level control gives your engineer a second point of reference. The ProFX8v2 also has Balanced XLR and balanced/unbalance 1/4 in. main outputs, an FX mute with remote control via footswitch, and a break switch that mutes all channels for music playback between sets.

Built like a Mackie

Mackie ‘s legendary Built-Like-A-Tank design is reflected in the solid steel chassis, tough ABS side protection, and quality posts and knobs combine to protect your investment. Rugged and roadworthy are two of the most common adsjectives used to describe Mackie equipment. With mixers, that is a critical attribute. For international traveling, the ProFX12v2 includes a robust internal multi-voltage power supply.

FEATURES

  • 22 high-headroom line level inputs for your mix
  • 16 low-noise Mackie Vita mic preamps add life to any input
  • ReadyFX effects engine with 16 effects including reverbs, delays, and choruses
  • 7-band graphic EQ for tuning mains or monitors
  • 2 aux output for monitor mixes, venue 70-volt systems, and more
  • 3-band EQ with sweepable mids and 100Hz low-cut filter on all channels
  • 48-volt phantom power on all mic channels
  • Headphone output with separate level control for easy monitoring
  • Roadworthy design with steel chassis and ABS side protection
  • Balanced XLR and balanced/unbalanced 1/4-inch main outputs
  • FX mute with remote control via footswitch
  • Break switch mutes all channels for music playback between sets
  • USB for playback music and recording via Mac or PC
  • Includes user-friendly Tracktion recording software
  • 4 flexible subgroups for professional mix management
  • Individual channel mutes and overload indication
  • 4 channels of single-knob compression for smooth, even dynamic control
Brands

Mackie

Product Type

Analog Mixers

Equivalent Input Noise 150 ohm source impedance, 20 Hz to 20 kHz:Mic in to insert send out, max gain -128 dBu
Residual Output Noise All outputs, master levels off, all channel levels off: -95 dBuAll outputs, master levels unity, one channel level unity: -85 dBu
Frequency Response Mic input to any output (gain at unity, +0 dB / -1 dB): 20 Hz to 40 kHz
THD+N 22 Hz to 80 kHz bandwidth: Mic in to Main out (+4 dBu output): < 0.01%
Attenuation and Crosstalk Adjacent Inputs @ 1 kHz: -90 dBInputs to Outputs @ 1 kHz: -80 dB

Fader Off @ 1 kHz: -75 dB

Mute Switch / Break Switch Mute @ 1 kHz: -100 dB

Common Mode Rejection Ratio Mic In to Main Out, max gain, 1 kHz: 70 dB
Maximum Level All inputs: +22 dBMain Out XLR: +28 dBu

All other outputs: +22 dBu

Impedance Mic In 3.3 kOhmsChannel Insert Return 10 kOhms

All other inputs ≥ 20 kOhms

Tape output 1 kOhms

Phones output 25 ohms

All other outputs 120 ohms unbalanced, 240 ohms balanced

Equalization Mono Channels:Low ±15 dB @ 80 Hz

Mid ±15 dB @ 100 Hz – 8 kHz

High ±15 dB @ 12 kHz

Low Cut Filter 18 dB/octave @ 100 Hz

Stereo Channels

Low ±15 dB @ 80 Hz

Mid ±15 dB @ 2.5 kHz

High ±15 dB @ 12 kHz

Maximum Voltage Gain Mic Input Channel to:Insert Output: 50 dB

Tape Output: 60 dB

USB Output: 60 dB

1/4″ Main Output: 70 dB

XLR Main Output: 76 dB

Monitor Send: 81 dB

FX Send: 90 dB

Mono Line Input Channel to:

Insert Output: 30 dB

Tape Output: 40 dB

USB Output: 40 dB

XLR Main Output: 56 dB

Monitor Send: 61 dB

FX Send: 70 dB

Stereo Line Input Channel to:

Tape Output: 30 dB

USB Output: 30 dB

XLR Main Output: 46 dB

Monitor Send: 51 dB

FX Send: 55 dB

Tape Input to:

XLR Main Output: 36 dB

USB Input to:

XLR Main Output: 36 dB

Stereo Return to:

Mon Output: 30 dB

XLR Main Output: 26 dB

Digital Effects I/O: mono input / stereo outputNumber of Presets: 16
Meters Main L/R Mix:Two columns of 12 segments each: OL (+20 dBu), +15, +10, +6, +3, 0 (0 dBu), -2, -4, -7, -10, -20, -30

Channel OL LED:

Measured post-EQ, pre-fader (-3 dB before channel clipping): 18 dBu

Graphic EQ Frequency Centers [7-Band]: 125, 250, 500, 1k, 2k, 4k, 8kGain: ±15 dB

Assignable to Main or Monitor, bypassable

USB USB Recording to Computer (Mac & Win)
Phantom Power 48 VDC to all mic channels simultaneously
AC Power Requirements Power Consumption: 45 wattsUniversal AC Power Supply: 100 – 240 VAC, 50 – 60 Hz

Class II Detachable Line Cord: Yes

Operating Temperature 32 – 104˚F (0 – 40˚C)
Dimensions 3.8 x 25.1 x 16.0 ” (97 x 639 x 407 mm)
Weight 18.0 lb (8.2 kg)

Based on 0 reviews

0.0 overall
0
0
0
0
0

Only logged in customers who have purchased this product may leave a review.

There are no reviews yet.

You may also like…