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Mackie ProFX30v2

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Out of stock
Brands: Mackie
Brands
  • 24 low-noise Vita mic preamps designed to add life to any input
  • ReadyFX effects engine with 16 effects like reverbs, delays, and choruses
  • Single-knob channel compression for smooth, even dynamic control (ch. 19-22)
  • 7-band graphic EQ for tuning mains or monitors

$1,305.00

Out of stock

The ProFX30v2 30-channel mixing console from Mackie features a built-in effects engine, and is ideal for a plethora of live sound reinforcement applications ranging from live bands and DJs to lecturers and presenters. With 24 XLR mic inputs with low-noise Vita microphone preamps, per channel 3-band EQ, 3 aux sends, and an FX out for feeding external processors, the ProFX30v2 offers professional features to suit a wide variety of configurations.

In addition to the mic inputs, the ProFX30v2 includes 30 line inputs for connecting keyboards, samplers, and other gear. There is also an RCA tape input and output for connecting portable music players similar devices. In addition, the mixer has rugged 60mm faders for all input channels, return and main/monitor masters.

The ProFX30v2’s effects engine offers 16 different effects, including reverbs, delays, and choruses. It also features a 7-band graphic EQ that can be used for tuning mains or monitors, and a built-in USB interface that can be used to record the show or provide music playback via Mac or Windows computer.

FEATURES

  • 24 low-noise Vita mic preamps designed to add life to any input
  • ReadyFX effects engine with 16 effects like reverbs, delays, and choruses
  • Single-knob channel compression for smooth, even dynamic control (ch. 19-22)
  • 7-band graphic EQ for tuning mains or monitors
  • Built-in USB interface to record the show or provide music playback
  • 4 flexible subgroups for professional mix management
  • 3 aux outputs for monitor mixes, fill speakers, and more
  • 3-band EQ with sweepable mids on mono channels
  • 30 high-headroom line level inputs
  • Individual channel mutes and overload indication
  • 100 Hz low-cut filters per channel (18 dB/octave)
  • Channel inserts for connecting outboard processing (ch. 1-18)
  • 60mm faders for input channels, subgroups, and main masters
  • 48V phantom power for connecting condenser mics
  • Break switch mutes all channels for music playback between sets
  • Control room / headphone outs with level control
  • Balanced XLR and balanced/unbalanced 1/4″ main outputs
  • Built-in USB recording interface with simple setup via Mac or Windows
  • Choose to record subgroups 1/2 or main L/R mix
  • Separate USB input level control to mains
  • USB routable to full-featured channel strip
  • For live recording and home studios
  • Stream playback music for live or studio applications
  • Includes Tracktion recording software
  • Solid steel chassis protects your investment
  • Tough ABS side protection
  • Robust internal multi-voltage power supply
Categories: , , Tags: , ,
Brands

Mackie
Product Type

Analog Mixers
Equivalent Input Noise 150 ohm source impedance, 20 Hz to 20 kHz:Mic in to insert send out, max gain -128 dBu
Residual Output Noise All outputs, master levels off, all channel levels off: -95 dBuAll outputs, master levels unity, one channel level unity: -85 dBu
Frequency Response Mic input to any output (gain at unity, +0 dB / -1 dB): 20 Hz to 40 kHz
THD+N 22 Hz to 80 kHz bandwidth: Mic in to Main out (+4 dBu output): < 0.01%
Attenuation and Crosstalk Adjacent Inputs @ 1 kHz: -90 dBInputs to Outputs @ 1 kHz: -80 dB

Fader Off @ 1 kHz: -75 dB

Mute Switch / Break Switch Mute @ 1 kHz: -100 dB
Common Mode Rejection Ratio Mic In to Main Out, max gain, 1 kHz: 70 dB
Maximum Level All inputs: +22 dBMain Out XLR: +28 dBu

All other outputs: +22 dBu
Impedance Mic In 3.3 kOhmsChannel Insert Return 10 kOhms

All other inputs ≥ 20 kOhms

Tape output 1 kOhms

Phones output 25 ohms

All other outputs 120 ohms unbalanced, 240 ohms balanced
Equalization Mono Channels:Low ±15 dB @ 80 Hz

Mid ±15 dB @ 100 Hz – 8 kHz

High ±15 dB @ 12 kHz

Low Cut Filter 18 dB/octave @ 100 Hz

Stereo Channels

Low ±15 dB @ 80 Hz

Mid ±15 dB @ 2.5 kHz

High ±15 dB @ 12 kHz
Maximum Voltage Gain Mic Input Channel to:Insert Output: 50 dB

Tape Output: 60 dB

USB Output: 60 dB

1/4″ Main Output: 70 dB

XLR Main Output: 76 dB

Monitor Send: 81 dB

FX Send: 90 dB

Mono Line Input Channel to:

Insert Output: 30 dB

Tape Output: 40 dB

USB Output: 40 dB

XLR Main Output: 56 dB

Monitor Send: 61 dB

FX Send: 70 dB

Stereo Line Input Channel to:

Tape Output: 30 dB

USB Output: 30 dB

XLR Main Output: 46 dB

Monitor Send: 51 dB

FX Send: 55 dB

Tape Input to:

XLR Main Output: 36 dB

USB Input to:

XLR Main Output: 36 dB

Stereo Return to:

Mon Output: 30 dB

XLR Main Output: 26 dB
Digital Effects I/O: mono input / stereo outputNumber of Presets: 16
Meters Main L/R Mix:Two columns of 12 segments each: OL (+20 dBu), +15, +10, +6, +3, 0 (0 dBu), -2, -4, -7, -10, -20, -30

Channel OL LED:

Measured post-EQ, pre-fader (-3 dB before channel clipping): 18 dBu
Graphic EQ Frequency Centers [7-Band]: 125, 250, 500, 1k, 2k, 4k, 8kGain: ±15 dB

Assignable to Main or Monitor, bypassable
USB USB Recording to Computer (Mac & Win)
Phantom Power 48 VDC to all mic channels simultaneously
AC Power Requirements Power Consumption: 50 wattsUniversal AC Power Supply: 100 – 240 VAC, 50 – 60 Hz

Class II Detachable Line Cord: Yes
Operating Temperature 32 – 104˚F (0 – 40˚C)
Dimensions 3.8 x 33.6 x 16.6″ (97 x 853 x 422 mm)
Weight 25 lb (11.4 kg)

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