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Mackie ProFX4v2

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Brands: Mackie
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  • 2 low-noise Vita mic preamps
  • ReadyFX effects engine with 16 effects like reverbs, delays, and choruses
  • 5-band graphic EQ for tuning mains or monitors
  • Aux output ideal for driving a monitor mix

The ProFX4v2 4-channel mixing console from Mackie features a built-in effects engine, and is ideal for a plethora of live sound reinforcement applications ranging from live bands and DJs to lecturers and presenters. With 2 XLR mic inputs with low-noise Vita microphone preamps, per channel 2-band EQ, 1 aux send, and an FX out for feeding external processors, the ProFX4v2 offers professional features to suit a wide variety of configurations.

In addition to the mic inputs, the ProFX4v2 includes 4 line inputs for connecting keyboards, samplers, and other gear. There is also an RCA tape input and output for connecting portable music players similar devices. In addition, the mixer has rugged 60mm faders for all input channels, return and main/monitor masters.

The ProFX4v2’s effects engine offers 16 different effects, including reverbs, delays, and choruses. It also features a 5-band graphic EQ that can be used for tuning mains or monitors.

FEATURES

  • 2 low-noise Vita mic preamps
  • ReadyFX effects engine with 16 effects like reverbs, delays, and choruses
  • 5-band graphic EQ for tuning mains or monitors
  • Aux output ideal for driving a monitor mix
  • 2-band EQ (80 Hz and 12 kHz) on all channels
  • Directly connect guitar, bass, and other instruments via Hi-Z input
  • 100 Hz low-cut filter and 48V phantom power on all mic channels
  • Stereo RCA tape I/O with input level control
  • Headphone output with separate level control
  • Solid steel chassis protects your investment
  • Tough ABS side protection
Categories: , , Tags: , ,
Brands

Mackie
Product Type

Analog Mixers
Equivalent Input Noise 150 ohm source impedance, 20 Hz to 20 kHz:Mic in to FX send, max gain -128 dBu
Residual Output Noise All outputs, master levels off, all channel levels off: -95 dBuAll outputs, master levels unity, one channel level unity: -85 dBu
Frequency Response Mic input to any output (gain at unity, +0 dB / -1 dB): 20 Hz to 40 kHz
THD+N 22 Hz to 80 kHz bandwidth: Mic in to Main out (+4 dBu output): < 0.01%
Attenuation and Crosstalk Adjacent Inputs @ 1 kHz: -80 dBInputs to Outputs @ 1 kHz: -80 dB

Fader Off @ 1 kHz: -80 dB
Common Mode Rejection Ratio Mic In to Main Out, max gain, 1 kHz: 70 dB
Maximum Level All inputs: +22 dBMain Out: +22 dBu

All other outputs: +22 dBu
Impedance Mic In 3.8 kOhmsAll other inputs ≥ 20 kOhms

Tape output 1 kOhms

Phones output 25 ohms

All other outputs 120 ohms unbalanced, 240 ohms balanced
Equalization Low ±15 dB @ 80 HzHigh ±15 dB @ 12 kHz

Low Cut Filter 18 dB/octave @ 100 Hz
Maximum Voltage Gain Mic Input Channel to:Insert Output: 50 dB

Tape Output: 60 dB

1/4″ Main Output: 70 dB

XLR Main Output: 76 dB

Monitor Send: 76 dB

FX Send: 75 dB

Mono Line Input Channel to:

Insert Output: 30 dB

Tape Output: 40 dB

XLR Main Output: 56 dB

Monitor Send: 56 dB

FX Send: 55 dB

Stereo Line Input Channel to:

Tape Output: 30 dB

XLR Main Output: 46 dB

Monitor Send: 46 dB

FX Send: 45 dB

Tape Input to:

Main Output: 30 dB
Digital Effects I/O: mono input / stereo outputNumber of Presets: 16
Meters Main L/R Mix:Two columns of 12 segments each: OL (+20 dBu), +15, +10, +6, +3, 0 (0 dBu), -2, -4, -7, -10, -20, -30
Graphic EQ Frequency Centers [5-Band]: 80, 250, 800, 2.5k, 8kGain: ±15 dB

Assignable to Main or Monitor, bypassable
Phantom Power 48 VDC to all mic channels simultaneously
AC Power Requirements Universal AC Power Supply: 100 – 240 VAC, 50 – 60 HzClass I Hard-Wired Wall Wart: [12 VDC @ 1.5 A]
Operating Temperature 32 – 104˚F (0 – 40˚C)
Dimensions 2.9 x 8.7 x 10.1″ (73 x 220 x 256 mm)
Weight 3.2 lb (1.4 kg)

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